For example, imagine the first person that was given a cup to drink from. All it takes is one look at your immediate surroundings to see evidence of this.Īlmost everything you can touch was once a cutting-edge invention. This endlessly growing web of thought has produced many brilliant things, but perhaps the greatest impact it has had on the material world comes in the form of technology. People are always saved after the death of him who saved them. This is why the words of dead poets, politicians, and philosophers grow increasingly influential as time runs its course. The moment one node dies, many others will learn from the ideas of that node, and those thoughts form the foundation of further ideas to come. There is no end to this march of human thought, as it transcends even death itself. Thought begets thought, and if you allow it to compound enough, it becomes an engine of innovation that produces all kinds of magical things. The mind’s superiority over the iPhone lies not in its computational power, but in its ability to continue thinking well after it has shut the iPhone down. Commercial use of installation photography and film is strictly prohibited.Humankind holds power over its creations for one silly reason: PLEASE NOTE: While you are welcome to photograph this installations for personal use, the artist retains all imagery rights. Its projects have received more than 20 awards and honours for design, technology and creativity.
Iregular’s work has been presented in Montréal at the Festival du Nouveau Cinema, the Highlights Festival, Nuit Blanche, Igloofest, Mutek, the International Digital Arts Biennial, C2-MTL, the Festival of the Image in Colombia, the Mapping Festival in Switzerland, the Glow Festival in The Netherlands, Mutek MX in Mexico, the Jerusalem Light Festival in Israel and Bains Numériques in France. Working at the intersection of art and technology, the studio approaches design using a code-driven and real-time mindset. Iregular is a Montréal-based studio founded in 2010. His works combine geometry, typography, light and sound with software, mathematics and algorithms, resulting in systems with infinite possibilities. He creates audiovisual experiences for installations and websites. There is a paved foothpath.ĭaniel Iregui is a new media artist who creates interactive sculptures, spaces and architectural interventions using technology and aesthetics as tools. The surface is block paving.Īccess from Claypath: Steep downward slope from Claypath towards Millennium Place. The ramp is situated behind the library with adequate handrails and lighting. This is situated next to the Bishops Mill pub.Īccess from Milburngate Bridge: There is ramped access from Milburngate bridge. Platform lift: Within Millennium place there is a platform lift available to go between the upper and lower levels of Millennium Place.
Access to Level 1 – Riverside ground level, Level 5 – bars and lower level of Millennium place, Level 7 – upper level, restaurants and Gala theatre. There are power assisted doors to each lift. Lift access from Walkergate Car Park and Freeman’s Place to Millennium Place: There is lift access from within Walkergate car park and also from Freeman’s Place, below the Fat Buddha restaurant. Seating available within Millennium Place with adequate lighting in the area. Gala Theatre: 2 flights of steps consisting of 8/8 steps.
Stepped access between Missoula and Ebony: 2 flights of steps consisting of 7/7 steps. Stepped access between Millennium Place and Freeman’s Place: There are 4 flights of steps consisting of 8/11/12/12 steps. Whether they are upside down images, delayed projections, reversed recordings or simply true, untampered reflections, the infinitely mirrored body images lose their symmetry and seem to move at their own will, disconnected from the audience members initially triggering them.Ī disorienting journey defying dimensions, Omnipresence makes the viewer lose control of their own actions, causing delightful yet uneasy feelings about human impotence in the face of the digital world.
OMNIPRESENCE SOFTWARE
Before projecting the recorded video of the moving participants back onto the screen, software tweaks some of the images, distorting the perception of time and space. The artwork invites visitors to move around a digital infinity mirror that endlessly multiplies their reflection using video feedback. Omnipresence is an audiovisual, interactive mise en abyme – a technique of placing copies of images inside each other to create an infinite reproduction of an image – that highlights technology’s ability to curate our digital personae.
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